The CINEPEER is Zhiyun’s high end product line brand, so one has a right to judge them against the very highest standards. (After all, the price tag is often high-end, too.) The CINEPEER C100 100 watt RGB Stick Light is one of their newest offerings,...
READ MORE
H&Y’s RevoRing filter adapter system has been around for a few years now, but they’ve come out with a Mark II version of their variable ND version. I’m not actually going to review that one (because my recommendation would be to use your own VND...
READ MORE
Aputure has frequently blurred the line between it’s budget line, called Amaran, and it’s “pro” line under it’s own moniker. You can expect the Amaran products to be made of plastic, but beyond that it’s something of a toss-up. Aputure as blazed new ground with...
READ MORE
Nothing’s Ear (Open) buds are a true technological feat. That’s not to say they’re perfect, but like lenses, cameras, lights, and mics… no single piece of gear is perfect for every scenario. So let’s get into the weeds here. Open ear headphones are very challenging to...
READ MORE
This lightweight little lens is surprisingly good for the price. 40mm has become a popular focal length over the past couple of years. Manufacturers have realized that it's easier to make than a lot of other focal lengths; photographers appreciate the slighter wider look from...
READ MORE
False Color is probably the most useful tool cinematographers have at their fingertips, and I can say without hesitation— it sucks. Which is why so few cinematographers use it regularly...
READ MORE
It’s time to talk frankly about RAW. Some cinematographers insist that shooting Raw is always the best choice, but the argument for Raw’s superiority is outdated, and its disadvantages outnumber its advantages. Despite Colorist's love of Raw, and despite Arri and Red and Apple and Atomos...
READ MORE
“Elf” is possibly the most perfect name for Godox’s entry-level flash...
READ MORE
As cinematographers we are painters of light, The camera is simply a blank canvass. Optical snoots are great devices for shaping light, but up until just a few years ago snoots were too heavy, expensive, and unwieldy for small production teams. Not anymore, so today...
READ MORE
The Cinema Variable Neutral Density Filter by PRISM LENS FX is a pleasant surprise. Made in the USA (surprise #1), it offers exceptional quality while maintaining a reasonable amount of affordability. At roughly $145 (77mm) it's not by any means cheap, but generally speaking you'll...
READ MORE