H&Y’s RevoRing filter adapter system has been around for a few years now, but they’ve come out with a Mark II version of their variable ND version. I’m not actually going to review that one (because my recommendation would be to use your own VND...
Aputure has frequently blurred the line between it’s budget line, called Amaran, and it’s “pro” line under it’s own moniker. You can expect the Amaran products to be made of plastic, but beyond that it’s something of a toss-up. Aputure as blazed new ground with...
Nothing’s Ear (Open) buds are a true technological feat. That’s not to say they’re perfect, but like lenses, cameras, lights, and mics… no single piece of gear is perfect for every scenario. So let’s get into the weeds here. Open ear headphones are very challenging to...
This lightweight little lens is surprisingly good for the price. 40mm has become a popular focal length over the past couple of years. Manufacturers have realized that it's easier to make than a lot of other focal lengths; photographers appreciate the slighter wider look from...
False Color is probably the most useful tool cinematographers have at their fingertips, and I can say without hesitation— it sucks. Which is why so few cinematographers use it regularly...
It’s time to talk frankly about RAW. Some cinematographers insist that shooting Raw is always the best choice, but the argument for Raw’s superiority is outdated, and its disadvantages outnumber its advantages. Despite Colorist's love of Raw, and despite Arri and Red and Apple and Atomos...
“Elf” is possibly the most perfect name for Godox’s entry-level flash...
As cinematographers we are painters of light, The camera is simply a blank canvass. Optical snoots are great devices for shaping light, but up until just a few years ago snoots were too heavy, expensive, and unwieldy for small production teams. Not anymore, so today...
The Cinema Variable Neutral Density Filter by PRISM LENS FX is a pleasant surprise. Made in the USA (surprise #1), it offers exceptional quality while maintaining a reasonable amount of affordability. At roughly $145 (77mm) it's not by any means cheap, but generally speaking you'll...
Currently, Pergear has an excellent sale on CFexpress Type A cards. These (typically) obnoxiously pricey cards are almost solely used in high end Sony cameras, and are often twice the price of a SDXC V90. But for the next while, Pergear is selling the 512GB...
