I feel a little guilty about this post because Cinesaddle is a good company that has created a product many camera operators adore. If you don’t know what a Cinesaddle is, it’s essentially a custom-shaped bean bag for your camera. It can be used on...
If you own a small business or run a nonprofit, you already know about the importance of authenticity and creativity when it comes to communicating with your customers, clients, and supporters. But for most people, regardless of their business size or goals, the attraction to...
In the last two years “consumer” (or perhaps, prosumer) wireless systems have overtaken professional wireless mic systems, offering better features, and audio quality that is essentially indistinguishable from the pro models. Which is a long way of saying that you no longer need an $800...
The CINEPEER is Zhiyun’s high end product line brand, so one has a right to judge them against the very highest standards. (After all, the price tag is often high-end, too.) The CINEPEER C100 100 watt RGB Stick Light is one of their newest offerings,...
H&Y’s RevoRing filter adapter system has been around for a few years now, but they’ve come out with a Mark II version of their variable ND version. I’m not actually going to review that one (because my recommendation would be to use your own VND...
Aputure has frequently blurred the line between it’s budget line, called Amaran, and it’s “pro” line under it’s own moniker. You can expect the Amaran products to be made of plastic, but beyond that it’s something of a toss-up. Aputure as blazed new ground with...
Nothing’s Ear (Open) buds are a true technological feat. That’s not to say they’re perfect, but like lenses, cameras, lights, and mics… no single piece of gear is perfect for every scenario. So let’s get into the weeds here. Open ear headphones are very challenging to...
This lightweight little lens is surprisingly good for the price. 40mm has become a popular focal length over the past couple of years. Manufacturers have realized that it's easier to make than a lot of other focal lengths; photographers appreciate the slighter wider look from...
False Color is probably the most useful tool cinematographers have at their fingertips, and I can say without hesitation— it sucks. Which is why so few cinematographers use it regularly...
It’s time to talk frankly about RAW. Some cinematographers insist that shooting Raw is always the best choice, but the argument for Raw’s superiority is outdated, and its disadvantages outnumber its advantages. Despite Colorist's love of Raw, and despite Arri and Red and Apple and Atomos...
